We all (or at least most of us) have images of each other in relationship which actively or passively interfere with our ability to directly relate to one another.
These images may be in part based on actual observations we have made of each other, or they may be complete projections of our own imagination; but the images themselves - the images as images - are always based on memory. And memory is inevitably co-constructed from a background of our own particular conditioning and knowledge, our own subjective experience, which - in subtle or gross ways - distorts what we register (and later reconstruct) as the image.
As Krishnamurti spoke a lot about this subject, I am sharing a 4 minute excerpt from a discussion in which he outlines the basic problem for us. But I do not wish to tie the thread down to what K has said about images in relationship. In sharing this extract I merely want to indicate what the general outline of the problem may be.
How are we to approach this issue of images in relationship?
Video length: 4 mins, 56 secs (followed by a transcript of the same extract):
Can I observe myself through relationship? Can I know myself fundamentally, basically, all the reactions, all the nuances, the subtleties of myself in relationship. Right?
So we have to enquire what do we mean by ārelationshipā - the word itself. To be related, to be in contact, to be not physically intimate but, not only that, but to have a relationship at the same level, at the same moment, at the same intensity, then there is a relationship. Right? There is a relationship between a man and woman, or a friend and another, or a boy and girl, when they meet not merely physically only but much more, which is when they meet at the same level, at the same moment, with the same intensity there is actual relationship, because they are meeting at the same level. Right? That can be called a real, true relationship.
Now, oneās relationship with another is based on memory. Right? Would you accept it? On the various images, pictures, conclusions I have drawn about you and you have drawn about me. The various images that I have about you - wife, husband, girl or boy or friend and so on. So there is always image-making. Right? This is simple, this is normal, this is actually what goes on.
When one is married or lives with a girl or a boy every incident, every word, every action creates an image - no? Are we clear on this point? A word is registered, if it is pleasant you purr, it is nice, if it is unpleasant you immediately shrink from it, and that creates an image. The pleasure creates an image, the shrinking, the withdrawal creates an image.
So our actual relationship with each other is based on various subtle forms of pictures, images and conclusions. Thatās right?
Now I am asking: when that takes place what happens? The man creates the image about her, and she creates an image about him. Whether in the office, whether in the field, or anywhere this relationship is essentially based on this formation of images. Right? This is a fact, isnāt it? Then what takes place?
You have an image about her and she has an image about you - doesnāt matter where it is, in the office, in the factory, in the field, in every way, labour: there is this image-making all the time. So when there is an image like that, she has and you have, then in there there is division, and then the whole conflict begins. Right?
Where there is division between two images there must be conflict. Right?
(Discussion 2, Brockwood Park, 1978)