Douglas, I really don’t know what you are wanting to say here? You make so many different statements - about culture, about sense perception, about jewel beetles (which are a big interest of Hoffman’s), about chimpanzees and the evolution of consciousness, about Chinese calligraphers (by which I’m assuming you mean the Chinese artists referenced by K in extract 10) - that I don’t know where to begin a reply, or what single point is most salient for you in all this.
Do you want to talk about Hoffman’s views (as your example of the jewel beetles seems to signify)? Are you wanting to talk about the presence of thought in chimpanzees (which creates the image of an enemy)? Are you wanting to defend/uphold/promote the value, the importance of culture?
Maybe I can take a few statements of yours that seem clear to me (as statements), but which I nevertheless find quite confusing.
Why do you say this? (which is not to say that the absence of cultural and psychological beliefs is sufficient for seeing truth, but it is surely part of it). So why do you say this?
I get the first statement about awakening - which I interpret to mean awakening to, being aware of, the psychological movement of thought - but I don’t see how this connects to the process of awakening in nonhuman animals?
? I think you are wanting to make the Hoffmanian point that natural selection has adapted the perceptual apparatus of various organisms according to a criterion that we find baffling. Yet by equating the perceptual flaw in jewel beetles (about which Hoffman writes) with fundamentalist ideology you may be making a simple category error. Jewel beetles are hard-wired to perceive in the way they perceive, but human brains are not similarly hard-wired to be fundamentalist Christians.
The Chinese artists K was talking about were modern homo-sapiens, meaning that they existed after the advent of complex cultural thinking (ancient China was to all intents and purposes as complex as medieval China, in terms of its culture, philosophy, literature, etc; and the artists K is talking about may well have belonged to medieval China anyway - it’s difficult to know without a clear reference).
So which of these points do you want to address more clearly?
And, if I could ask Douglas, don’t wait 24 or 48 hours before replying, otherwise we cannot resolve any of these questions properly.